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9 Fun Facts What To Look For In A Photo Editing Monitor | Monitor For Gaming And Photo Editing
- Look for a monitor large enough for comfortable, extended viewing during those day-long (or overnight!) editing sessions. Popular sizes include 19, 21.5, 24, 27, and 32" screens, with ultra-wide models also available. Larger, 40"+ monitors are an option if you have the room to accommodate their suitable viewing distances. If you plan on doing any work on set, a 19" monitor offers a good compromise between screen size and portability with plenty of travel cases to choose from. - Source: Internet
- HDR technology ups the color intensity and contrast of your images to a brilliant degree. Monitor brightness levels, expressed in cd/m2 (candelas per meter squared or nits), play a key role in HDR display; look for 1000 cd/m2 or higher for optimal HDR editing. HDR10 is the more common HDR standard with Dolby Vision or HDR10+ available in some monitors, look for the standard supported by your editing system. - Source: Internet
- Although it may seem that monitor features are being continually updated, we hope the above tips form a basis for choosing your video editing monitor. For a more in-depth look at log-format recording check out this article by my colleague, David Adler. Seeing is believing—stop by the B&H Photo SuperStore to look at some monitors in person, and explore our wide selection on the B&H Photo website. - Source: Internet
- LCD monitors are widely used for editing and offer high-quality contrast ratios, brightness levels, and color-gamut compatibility. IPS (in-plane switching) LCD panels offer better viewing angles than their TN (twisted nematic) predecessors and support pro color spaces. OLED monitors offer wide viewing angles, high contrast ratios and brightness levels, and true blacks; they tend to be higher-priced than same-size LCDs. - Source: Internet
- LUT (lookup table) support enables you to view your log recordings without their characteristic flat look; select monitors can display side-by-side views of HDR and SDR (standard dynamic range) for comparison. Popular LUTs are come pre-loaded in some monitors and/or can be loaded in via an USB port or SD card slot. Standard display tools on many monitors include a vectorscope, histogram, exposure zebra, and frame markers. - Source: Internet
- Most production monitors support a variety of input resolutions; it’s when you’re using formats on the higher or lower ends of the spectrum or less common frame rates that it’s important to confirm compatibility. Resolutions like DCI 4K (4096 x 2160), standard-def NTSC or PAL for legacy projects, and frame rates like 1080PsF 23.98/24 fall into this category. - Source: Internet
- If you’re editing in 4K and you can swing the cost of a 4K or higher monitor, go for the higher resolution. On the other hand, if your existing editing system is 1080p-compatible and you’re not ready to upgrade to the greater processing and storage requirements of 4K, you can edit your 4K footage using proxies while viewing on a 1080p monitor. Lower-res footage can be displayed on a higher-res monitor (although it will be in a smaller, “windowed” form) so if you want to upgrade your monitor to 4K first, you can. Of course, if you’re color-grading in any significant way, you’ll be better off opting for the 4K+ resolution. - Source: Internet
- Last, but absolutely not least, create a routine for calibrating your monitor. This aligns it to an established standard and is essential for maintaining a consistent look in your project. Some monitors come with calibration software or can be adjusted by loading a calibration LUT. Your best bet might be a calibration program with a tethered probe since it can be used with multiple monitor models or, alternatively, you can hire a technician to do the first calibration and familiarize yourself with the process. - Source: Internet
- What connections does your computer’s video I/O card provide? Monitor input ports include HDMI, 12G/6G/3G-SDI (BNC), Thunderbolt™, DisplayPort, USB and optical variations; make sure your display is compatible with your system’s video output. A loop-out port is a handy feature for feeding your signal to a larger monitor for director or client viewing during post-production. Select monitors offer audio I/O options that enable you to split out embedded audio to external speakers. - Source: Internet
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