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- On the other hand, papers in arts and humanities are still largely dispersed amongst many smaller publishers, with the top five commercial publishers only accounting for 20% of humanities papers and 10% of arts papers in 2013, despite a small increase since the second half of the 1990s. The relatively low cost of journals in those disciplines—a consequence of their lower publication density—might explain the lower share of the major commercial publishers. Also, the transition from print to electronic—a strong argument for journals to convert to commercial publishers—has happened at a much slower pace in those disciplines as the use for recent scientific information is less pressing [28]. Moreover, these disciplines make a much more important use of books [9] and generally rely on local journals [29], all of which are factors that make it much less interesting for big publishers to buy journals or found new ones in the arts and humanities. - Source: Internet
- The literature from the late 1990s suggests that the digital era could have had two opposite effects on the publishing industry. As stated by Mackenzie Owen [ 21 ], while some authors saw the Web as a potential solution to the serials’ crisis—decreasing library budgets facing large and constant annual increases of journal subscription rates [ 22 , 23 ]—most authors hypothesized that it would actually make the situation worse [ 24 ] or, at least, not provide a solution [ 25 , 26 ]. Despite the fact that it is generally believed that the digitalization of knowledge diffusion has led to a higher concentration of scientific literature in the hands of a few major players, no study has analyzed the evolution over time of these major publishers’ share of the scientific output in the various disciplines. This paper aims at providing such analysis, based on all journals indexed in the Web of Science over the 1973–2013 period. - Source: Internet
- You could look to classics, like “Super Mario Bros.” You could look at impact on the medium, or highest sales. You could write down your personal favorites on pieces of paper, then throw them into the air. Where the pieces land? That’s your list! - Source: Internet
- Fig 4 clearly shows that disciplines typically labelled as ‘social sciences’ behave differently from the arts and humanities. For each discipline within the domain of social sciences (psychology, professional fields, social sciences and social aspects of health), there is an unambiguous change in the slope in the mid-1990s: while the top five—in this case, commercial—publishers accounted for percentages between 15% and 22% of the output in 1995, these percentages increased to between 54% and 71% in 2013. The disciplines in social sciences, which includes specialties such as sociology, economics, anthropology, political sciences and urban studies, is quite striking: while the top five publishers accounted for 15% of papers in 1995, this value reached 66% in 2013. Combined, the top three commercial publishers alone—Reed-Elsevier, Taylor & Francis and Wiley-Blackwell—represent almost 50% of all papers in 2013. Psychology follows a similar pattern, with the top five publishers increasing from 17% in 1995 to 71% in 2013. - Source: Internet
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